1067. THE BIG TREES (1952-USA). COLOR. With KIRK DOUGLAS, EVE MILLER, EDGAR BUCHANAN. A villainous logger plans to cash in on California’s redwood trees. Features two edge-of-the-seat climaxes! 89 minutes. Adventure
1069. HELL’S HINGES (1916-USA). With WILLIAM S. HART, CLARA WILLIAMS, JACK STANDING- Produced by THOMAS H. INCE. Co-written and directed by WILLIAM S. HART. The production genius of Thomas H. Ince and the extraordinary talent of the first great Western star combine for what film historian William K. Everson has called “probably William S. Hart’s best picture.” Hart is Blaze Tracey, a notorious outlaw (whose penetrating stare is enough to kill) in the aptly-named town of Hell’s Hinges, a “gun-fighting, man-killing, devil’s den of iniquity that scorched even the sun-parched soil on which it stood.” When a young minister arrives. Blaze is transformed into goodnessÑnot by religion, but by the sight of the minister’s beautiful sister, Faith. Meanwhile, the man of God is seduced by a dance hall girl, and becomes so depraved that he leads the corrupt and frenzied mob in burning down his own church. True to his name, Blaze, his two six-guns blazing, becomes an avenging angel, and is determined to do anything to cleanse the townÑoven if that means destroying it! The action sequences, including the spectacular, fiery climax, are nothing short of brilliant. To quote Everson again: “Fine camerawork, utilizing long panoramic shots and beautiful lighting, excellent editing, and a sure control over the masses of extras, fuse these scenes into an episode of astonishing vigor.” Truly a Western milestone, highly recommended. Silent film with music score, correct projection speed. 65 minutes. Western
1075. THE STAR PACKER (1934-usa). With John Wayne, Yakima Canutt, George “Gabby” Hayes. Little Rock is a town where law and order are only fond memories. The stagecoach has been robbed repeatedly, the townspeople are afraid to walk down the street in broad daylight, and a string of sheriffs have been gunned down within moments of taking office, into this hell town rides Tom Powers (John Wayne) and his Indian sidekick Yak (Yakima Canutt). Powers accepts the job of sheriff and vows to rid Little Rock of its bandits who are guided by a mysterious ringleader called ÒThe Shadow.Ó ÒThe Shadow” speaks to his band of outlaws through a phony wall safe in the local saloon. In his search for “those hombres who held up the stage,” Tom encounters pretty Anita… and this is one cowboy who doesn’t spend his evenings serenading his horse! Tom and Yak zero in on a nest of notorious outlaws including such riffraff as “Loco Frank” who would slit a man’s throat for a dollar. There are wonderful horseback stunts as only Yakima Canutt could create and thrilling chases too. At one point, Wayne flings himself from a high-branched tree onto a moving stagecoach, and later he almost flies from one galloping horse to another to tackle a runaway outlaw. Written and directed by ROBERTN. BRADBURY (who happens to have been the father of Bob Steele), the STAR packer is an energetic and action-packed oater from the boom years of the B Western! 53 minutes. Western
102. SPRINGTIME IN THE SIERRAS (1947-USA). With ROY ROGERS, ANDY DEVINE. When the poachers turn their sights on a man, Roy and Andy “meat” out their own kind of justice! 74 minutes.
105. THE TERROR OF TINY TOWN (1936-usa). With an all-midget cast. ThatÕs right-an all-midget cast! This “rollickin’, rootin’, tootin’, shootin’ drama of the great outdoors” really has to be seen to be believed! An offbeat novelty item if there ever was one, it has recently achieved some notoriety by being cited as one of “the fifty worst films of all time.” But it’s much too aware of its own absurdities, much too consciously funny, to deserve such extreme abuse. You’ll have a great time, as did the twisted minds that conceived the film, as you encounter every possible Western stereotype (the wholesome hero in white, the despicable villain in black, the innocent cowgirl, the worldly dance hall girl, etc.) and situation (gun fighting, brawling, hard riding, cattle rustling, stageÂcoach robbing, romantic serenading, family feuding)-all turned inside out and upside down by the oddball cast. As you might expect, the half-pint actors-or their stunt(ed) doubles-ride around on ponies. But the rest of the props, and all of Tiny Town’s settings, are built on a normal scale (so cowÂboys wield seemingly gigantic guns, or have to go under the saloon’s swinging doors). Everything you’ve always wanted in a Western-plus a tiny bit more! 63 minutes. All Midget Western